Cutting NSF Is Like Liquidating Your Finest Investment
Look closely at your mobile phone or tablet. Touch-screen technology, speech recognition, digital sound recording and the internet were all developed using […]
How Does Architecture Affect Our Emotions?
Think of a time when you felt vulnerable. Perhaps you were in a hospital corridor, or an exam hall, about to be tested. Now, focus on the building you were in. What if, without you knowing, the design of that space was affecting you?
As a Onetime Presidential Science Adviser, I Have Some Tips for the New Head of OSTP
Arati Prabhakar has been sworn in as director of the Office of Science and Technology Policy and assistant to the president for science and technology after being confirmed by the U.S. Senate, two months following her nomination by President Joe Biden.
Cementing the Link Between Social Sciences and Humanities Studies with Future Employment
The author’s team’s research shows universities should rethink internships and work-integrated learning for social sciences and humanities students in a way that helps community partners build capacity for innovation.
How African Ubuntu Might Help Decolonize Research
The author and her colleagues identified four practical ways that a complementary use of ubuntu can positively shape how research is done.
What May the Review into the Australian Research Council Bode for University Research?
After years of concerns about the ARC – about political interference and low success rates – the review is a welcome step. But will it tackle the big issues?
Feeling Saved by Feedback? Six Strategies That Help Academics to Cope
Six coping strategies drawn from positive psychology can help us cope with the sting of negative feedback.
‘Prebunking’ on YouTube in the Fight Against Misinformation
From the COVID-19 pandemic to the war in Ukraine, misinformation is rife worldwide. Many tools have been designed to help people spot […]
A Social Scientist, A Syrian Refugee – and Now a Fringe Festival Act Reclaiming Her Story
To expose the double standards that exist both at the UK border and in the media’s portrayal of refugees, Lina Fadel took to the stage for a one-woman show.
